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2006 Learning Tips
There is a comprehensive nine step LESSON PLANning Process that has served me very well as I have designed a variety of training programs for clients:
N OW CREATE the TRAINING MATERIALS! If a diagram is useful for you, here is a very basic depiction of the lesson design process: ![]() Tip #98: Needs Assessment The first step in the comprehensive nine step LESSON PLANning Process is: Step 1. Look at the Training Needs. a. Identify the performance issue that needs to be addressed. b. Identify how this issue impacts the organization. c. Determine that training is the appropriate remedy. d. Identify the target audience. e. Identify the general content that needs to be covered. f. Determine the participants’ receptivity to this content. g. Assess their skill or knowledge level in this content area. h. Identify why this training is important to them from their perspective. i. Identify the amount of time available for training. j. Identify pre- and post-training reinforcement necessary and available to the participants. Tip #100: Training Goals The second step in the comprehensive nine step LESSON PLANning Process is: Step 2. ESTABLISH THE TRAINING GOALS. There are always two stated goals: what the learners will learn and why it is important to them.
Tip #101: Training Content The third step in the comprehensive nine step LESSON PLANning Process is: STEP 3. SELECT THE KEY CONTENT TO BE COVERED. This process is often referred to as a Task Analysis:
Another note: although the lesson plan will be built around the essential content identified in (b), you may still want to keep notes on the content that was considered interesting but not essential. In the event that you need additional content for a training program, you can add exercises related to this “non” essential content. Tip #103: Learning Objectives The fifth step in the comprehensive nine step LESSON PLANning Process is: STEP 5. ORGANIZE THE LEARNING OBJECTIVES. Learning objectives explain in specific and measurable terms what the learner will do as a result of the class instruction to: (a) learn specific knowledge or skills and (b) demonstrate that they have learned them. Objectives are behavioral, which means that they involve specific actions or behaviors that can be observed and measured. The effectiveness of the training will be determined based on whether or not the participants exhibit these behaviors during and after the training session. When we add an active verb (appropriate for the learning level) to the essential content, we need to be sure that it is specific, observable, and measurable. For example, the following verbs are inappropriate because they are too vague and unclear to be particularly useful: process, care, learn, worry, understand, sense, believe, be aware, empathize, think, remember, feel, perceive, assume, try, focus, see, consider, and be familiar with. A more active verb will better describe the participant behavior and make it easier to measure or validate their performance. At this step, we:
Tip #104: Agenda The sixth step in the comprehensive nine step LESSON PLANning Process is: STEP 6. NEGOTIATE THE AGENDA FOR THE TRAINING PROGRAM.
Tip #105: Training Methods The seventh step in the comprehensive nine step LESSON PLANning Process is: STEP 7. PROPOSE THE TRAINING METHODS.
Tip #106: Training Resources The eighth step in the comprehensive nine step LESSON PLANning Process is: STEP 8. LIST THE NECESSARY TRAINING RESOURCES.
With regard to our audiovisual aids, here we decide whether we want to use a prepared flip chart, so that the answers can be posted and placed around the room as a constant peripheral reinforcement for the content. Perhaps we want to use Power Point slides to provide a brief visual of each question, and another slide to provide the answer after the participants have reported what they consider to be the answer. Perhaps we’ll use a simple cartoon to introduce the exercise with bullet points of the answers as a closing slide for the exercise. If we have chosen a metaphor for our training, then there will be props to support it. Suppose our topic is coaching. Our metaphor may be that coaching is like gardening. The seed has all the capabilities, but the gardener must prepare the soil, tend to the emerging plant’s needs with water, fertilizer, etc. Our prop might be a packet of seeds. I’ve even used tomato seedlings when they were available! Additional props might include peripherals of growing plants or posters with quotes about nurturing or coaching. You might want to use watering cans for the participants’ water at their tables or colorful children’s plastic rakes and trowels as decorations on the tables. I’m sure that you’re getting the picture. If we chose a metaphor, we want to mine all of its richness as we decorate the room. As for the most appropriate room arrangement, what we desire may be very different than what we can accomplish. However, assuming ideal circumstances with sufficient room and resources- perhaps we need at least five per table, with extra chairs available for times when we will need six or seven at a table for an exercise. Do we need a flat surface so that the participants can write or work on a hands on project? Do we need tables and chairs at all, or is the exercise something they can do with masking tape on the floor? Clearly, this is where the true fun begins! Tip #107: Evaluation The ninth and last step in the comprehensive nine step LESSON PLANning Process is: STEP 9. ARRANGE TO EVALUATE IF THE TRAINING NEED HAS BEEN MET.
To evaluate Level I, participant reaction, we may want to use a written evaluation or have each participant report one a key learning from the workshop. At Level III, we evaluate if the new learning has transferred to the work site and the participants are exhibiting new behaviors as a result of the training. We may engage supervisors to reinforce the learning on the job and provide feedback regarding the desired change in behavior. We may send periodic job aids or email reminders regarding key aspects of the new learning. We may even have the participants write an action plan during the training session and then discuss it with their supervisors, to incorporate the new learning into performance criteria. At Level IV, we are concerned about evaluating the business impact resulting from the application of new skills on the job. Beyond individual performance, can we now measure increased productivity or customer service satisfaction, for example. If we can convert these metrics into time or money saved, we can move into measuring the actual Return on Investment (ROI) from the training. This is where we provide proof that workplace learning translates into improved employee performance that results in true cost savings for the organization. Training does not occur in a vacuum. Our needs assessment reveals skill, attitude, or performance gaps that can be addressed through training. Our entire training design is intended to remediate these identified gaps. To most effectively evaluate whether or not the training is effective, we need to partner with managers to obtain meaningful pre-training and post-training performance and productivity measurements. Once our lesson plan is designed, we have one more task ahead of us- to create the actual training materials and audiovisual resources. We simply follow the recipe in our lesson plan. Either we draw the necessary information from subject matter experts or we have sufficient knowledge of the content areas ourselves. We reformat that information into the various training methods we have identified in the lesson plan or incorporate it into reference materials. Tip #108: Participant Materials There are many options for organizing participant materials. I am going to share my own preferences and you can feel free to respond with your own. First of all, I prefer to have all materials that the participants will need for a training session included in one participant packet. This means that the worksheets, exercises and the reference materials are in the same packet, rather than separated into different packets. All of the pages are numbered and identified by document title in the table of contents. I like to ensure that the materials can be used later with ease of reference- and many participants have told me that they continue to refer to the materials for years. In the table of contents, italicized print identifies the interactive exercises and regular print identifies the reference materials. This way I can easily annotate the table of contents as a quick reference lesson plan. My computer mentor, Kathleen Cummings, has just taught me to number the participant pages so that the odd numbered pages have the number on the upper right header and the even numbered pages have the number on the upper left header. If you print your materials on both sides as I do, this makes it much easier to see the numbers. If you don’t handle the numbering in this fashion, then the numbers for half of the pages are generally under the staple! :-) I know that there are some trainers who prefer to print the participant materials only on one side, to provide sufficient room for them to take notes. I use 1 inch margins and ensure sufficient space on the worksheets to provide that room. Clearly, this choice and all of the other choices are entirely up to you. The font style I prefer is Ariel, which is sans serif. At fourteen point for the text and eighteen point for the titles, it is very easy to read. Since my own sight is poor, that is very important! I like to include the title of the training program (and chapter titles, if applicable) in the header at 10 point, and my business name and copyright date in the footer, also at 10 point. If the training program is more than one day, I prefer to print each day’s materials in a separate color, three hole punch them, and place them behind tabs in a three-hole binder. Although my materials often are at least 50 pages per day, I find that the materials for a four day workshop will actually fit comfortably in a 1 inch binder. Speaking of binders, it is very useful to have binders with pockets on the inside flaps (for additional handouts and participant notes) and a clear plastic cover on the outside, so you can slip a training program title page underneath it. Color is also very useful to distinguish between different handout, reference, or answer key documents. It makes it much easier for participants to find them if they can search for them by color. If there are specific worksheets or checklists that the participants may want to use after the workshop, I like to duplicate these in a separate resource packet with its own table of contents. If the participants are expected to complete these worksheets during the training, it is nice to provide them with clean copies to use later. I can also include resource lists (reading materials, websites, etc.) as an added value. I have only recently started to insert some clip art onto the pages of my training materials, but I think it is a very good idea to add interest to the page. I would love to hear any suggestions about when and where to place clip art, as well as recommended sizes and sources for the clip art! Tip #109: Using an iPod For years, I have lugged around a cd player. It was very cool at the beginning, because I could put three different cds into it and change the cd and volume with the click of a handheld remote. It endured very cold weather in the trunk of my car and the indignity of being dropped several feet onto concrete on more than one occasion. It was scuffed and battered, and the remote was long gone, but I loved it. Without music, the training room feels empty, the air too heavy. Since my training modules are generally 50 minutes long (and so are many cds!), I had a perfect set up. If the training was all day, my first cd would be very upbeat, possibly The Chenille Sisters, to greet the participants with joyful melodies as they entered the training room and waited for the training to begin. My second cd would be the Lind Institute’s Classical Melodies, to relax everyone and create a pleasant and comfortable feel to the room. I would play it very very quietly, so the music was subliminal. Few if any participants would know it was playing, but it would have the desired effect. The third cd holder would have a different upbeat cd, perhaps Jazzy Tunes for Trainers or Everybody Dance! from The Trainer’s Warehouse, to carry us through a ten minute break. During this time, I would need to remember to change the first two cds- the first to the Lind Institute’s Classical Harmonies for subliminal music that was uplifting and the second to a different upbeat cd for the next break. Since I wanted to be an equal opportunity music player, I would try to select music from different upbeat genres for each break. All of this entailed carrying lots and lots of cds with me (particularly for multi-day programs!), plus the boom box. But, I had a system and it worked for me. When I started to do national and international training, the boom box was no longer an option. Sometimes clients were able to accommodate my need for a cd player, but it was usually set up for only one-cd at a time, which added significant complexity to my planning. This was especially true if participants wanted to chat with me over the break, when I would typically be setting up the cds. Then I discovered the Apple iPod!! This tiny 2.5” x 4” musical wizard has made my life SO much easier! With the help of iTunes, I was able to upload all of my considerable cds into my laptop. Then, all I had to do was simply plug my iPod into my laptop- and it magically took care of transferring all of the music into my iPod. All that remained was to find something slim and easily portable to amplify the iPod's sound- and Altec Lansing’s inMotion completely fit the bill! It neatly folds into a 5.4” x 8” package that fits nicely into my laptop carrying case! And wow, you should hear the quality and volume of sound it can generate! It can operate on batteries or plugged in, and when it is plugged in, it continually recharges the iPod! How cool is that??? I’ve even been able to let participants recharge their iPods for their trips home! Now, I keep everything I need: laptop, iPod and inMotion, in my laptop carrying case- and I’m good to go! Tip #110: Creating Playlists I suppose I should begin by saying that I use a Mac computer and laptop, which may make it somewhat easier to create playlists using iTunes. Those of you on PCs will have to let me know if you have access to iTunes. I hope you do! With iTunes, all you do is insert a music CD, have iTunes get the track names and create a Smart Playlist by the artist or by the album name. All of the tracks then become part of the general library as well as the relevant genre library, such as jazz, classical, country, easy listening, folk, R&B, pop, new age, rock, world, blues, holiday, or soundtrack. To create a playlist, you just drag all the songs you want from the library. You can search by a word, such as “dance,” and iTunes will give you any song with “dance” in the title or any song from an album with “dance” in the title. To show you how eclectic my musical tastes run, my “dance” playlist includes: Phil Collins’ “Dance into the Light,” Joe Cocker’s “Unchain My Heart,” Carly Simon’s “Attitude Dancing,” “Purple People Eater,” “Achy Breaky Heart,” “Dirty Dancing,” Bill Haley’s “Whole Lotta Shakin’ Goin’ On,” Bee Gee’s “Jive Talking,” and “Staying Alive.” It is really a lot of fun to find music that reinforces a theme or metaphor for a training program. I created a “magic” playlist for a program titled “Inspire Magic,” to help managers develop a positive and productive work environment. It has a number of different musical genres: “He’s the Wizard” from “The Wiz” soundtrack, Eric Clapton’s rock “Take a Chance,” The Chenille Sister’s jazz “I Want to Be Happy,” Aretha Franklin’s R&B “Respect,” Jim Brickman’s new age “If You Believe,” and Four Bitchin’ Babes’ folk “Little Stars.” The fact that iTunes automatically creates the musical genre lists is very convenient. As a result, the iPod can sort by music, playlists, artists, albums, songs, genres, and composers! It makes any song that is in your library instantly available! During a program in New York, one of the participants asked me if I could play a blues song at the next break. Quite honestly, I wasn’t even sure what a blues song was. But, lo and behold, when I searched my iPod under genre, I found I could instantly offer him songs by Bonnie Raitt, Groove Criminals, Natalie Cole, and Ray Charles. We were both very pleased! If you like to preplan your music, you can create a playlist for every theme, every break, and every learning time (since they would require different types of musical genres). If you prefer to be more spontaneous, you can play whatever strikes your or your participants’ fancy. So, that’s my relatively new toy and I won’t EVER leave the office without it! I’m sure that I’ve barely scratched the surface regarding the possibilities, but you get the idea. Tip #111: Employee Orientation I recently received an inspiring example of what can be done to bring learning alive in an employee orientation program. As some of you may know, I frequently facilitate the three-day Training Certificate Program for the American Society for Training and Development. As a matter of fact, in the next four weeks I’ll be conducting the program in Boston, Massachusetts, Tallahassee, Florida, and Irvine, California! Debbie Fisher attended the Training Certificate Program in Irvine last year. She is the Manager of User Support in Information Technology Services at The Citadel in Charleston, South Carolina. She has kindly agreed to allow me to share her letter with you. Here is Debbie’s success story: “I have been employing the skills I learned during the Training Certificate Program these many months and have drastically overhauled the training seminars our cadets attend for academic orientation based upon the skills I learned with your help. You would be so proud to see the flip-charts, wall posters, and various visual-aids I have created to supplement the computer materials we use. I thought you might find it interesting to hear a 'success story'. The former cadet computer training class, which was mainly a lecture by an IT professional (dry, boring, and lifeless in an auditorium with low-lighting) has morphed into a fully interactive setting facilitated by the IT professional. Instead of lecturing cadets about the policies, tasks, or computer-related accounts required, the cadets are now assigned to a group designated by color (red team, blue team, orange team, etc.) as they enter the computer lab. Each team is assigned a list of objectives. Each student uses his own computer to help the rest of the team locate the correct answers/procedures, etc. required to complete the team's objectives. A time period is established for students to research the objectives together and when the time is up, a member from each team participates in a random drawing to determine the order of the presentations. Each team takes a turn moving to the front of the classroom to teach the other teams how to perform the skills they learned during the study/research period. We use a combination of flip-charts, wall-posters, etc. to help each team stay on-target and ensure they cover all the objectives assigned during their presentations. The cadets laugh a lot and pay a lot more attention to their peer presenters than they would to us. We keep the momentum moving and step in to clarify if questions arise about the particular skills. The session mainly runs itself after the first team gets the session rolling.” Dave Meier, the wonderful accelerated learning guru (and also a wonderful man!) says: “Never do for learners what learners can do for themselves and for each other.” I love what Debbie has done to spice up the training and launch the cadets on their own voyage of discovery! I would be delighted to hear any other success stories out there! Tip #112: Employee Orientation When an organization experiences a merger or when divisions within that organization need to intermesh, both seasoned as well as new employees may require an orientation to the new situation. Not only do they need to understand the new interrelationships, they also need to understand the separate functions and services provided by the contributing organizational components. In 1999, the Wisconsin Department of Transportation determined that three divisions had an integral relationship that needed to be made clear to new employees. The initial needs assessment asked the three division administrators the following questions: New Employee Orientation Needs Assessment Questions
Tip #113: Employee Orientation When an organization experiences a merger or when divisions within that organization need to intermesh, both seasoned as well as new employees may require an orientation to the new situation. Not only do they need to understand the new interrelationships, they also need to understand the separate functions and services provided by the contributing organizational components. In 1999, the Wisconsin Department of Transportation determined that three divisions had an integral relationship that needed to be made clear to new employees. As a result of the needs assessment, a two day program was created by a wonderfully creative team of representatives from each of the three divisions. Here are the learning objectives and the activities for the morning of the first day. The activities are underlined. Title: Intermodal Interactions Workshop Description: Using interactive exercises, this two day basic orientation session is designed to acquaint the participants with the three modal divisions and how they interface with each other. On the first day, the focus is on what it means to be involved in an intermodal division partnership. On the second day, the focus is on the variety of functions and services provided by the three modal divisions. Day One: Making the Intermodal Connections [morning] Learning Objectives: During this session, the participants will:
Objective Methods
9:45 Pre-Workshop Session (15 minutes) The participants are given a long piece of colored yarn (green for DTID employees, burgundy for DTD, and yellow for DTIM) and assigned to small tables (in a manner that ensures representatives from different divisions at each table). Their first "team" assignment, after introducing themselves to each other, is to list all of the transportation modes they can identify from the audio tape. [Goal: Expand awareness of the various transportation modes.]
(a) 10:00 Welcome (25 minutes) Ask the participants to brainstorm what a "modal division" is, posting their responses on a flip chart. Validate or refine the definition, referring to" clues" from the pre-workshop exercise. (5 minutes) Conduct a pre-test: have the participants respond with their thumbs (up for yes, down for no) to a questionnaire related to the key content areas covered throughout the orientation session. Reward with candy the participants with the correct answers, and indicate great hope and expectations for those who do not know the answers- yet. Post the results of the pre-test on a flip chart, for later reference. (10 minutes) [Goal: Assess current knowledge, introduce key content areas, and create a "learning checklist" that can be checked off as content is covered during the session.]
(b) 10:25 Making Connections (25 minutes) [Goal: Begin awareness of individual job interfaces within the modal divisions.] 10:50 Break (10 minutes)
(b) 11:00 Putting the Pieces Together (45 minutes) [Goal: Provide a visual reference point for the organizational functional areas: sections, bureaus, and business areas.] [Note: This "puzzle" motif can be duplicated on mouse pads, mugs, buttons, or other "take home" items that will reinforce the concept of the intermodal connections.] The division administrators are introduced (hopefully wearing their division "colors"!!) and, in a panel, provide an overview of the modal divisions, using the puzzle and interlocking circles motif. This includes the philosophy, vision, culture, and values. (30 minutes) [Note: As each administrator is introduced, a two minute slide show runs, depicting division staff engaged in the variety of functions and services of that division, accompanied by division "theme music." There should also be pictures of key division management. (It can be thought of an a two minute marketing or public relations piece.) The administrator then has 8 minutes to make key points. As a result, each division will have 10 minutes of time, for a total of 30 minutes.] [Goal: Visually introduce the variety of modal services, with pictures of actual staff and activities from each division.] Then, building on the metaphor of the knotted yarn from the previous exercise, they explain key aspects of the partnering agreement using the "knot" exercise. They ask all of the participants to stand up and create a tight oval, with their shoulders touching. [Note: Individuals with back problems are advised not to participate.] The instructions involve having the participants reach out to grab one of the hands of two different people, who are neither directly across from them or next to them. This creates a "human knot." The participants are then asked if they think they can untie this "human knot" without unclasping their hands. They are challenged to try- and then asked at the end (after they have been successful) what it took to untie this knot. The qualities that they identify (flexibility, cooperation, varying leadership, different perspectives, positive attitude, etc.) can be related to the key aspects of the partnering agreement. Summarize by pointing out that the modal divisions can "untie any transportation system knot by working together." (5 minutes) [Goal: Create a partnering experience and memory, with a resulting metaphor that can be referred to during the sessions.] 11:45 Lunch Break (60 minutes) Tip #114: Employee Orientation When an organization experiences a merger or when divisions within that organization need to intermesh, both seasoned as well as new employees may require an orientation to the new situation. Not only do they need to understand the new interrelationships, they also need to understand the separate functions and services provided by the contributing organizational components. In 1999, the Wisconsin Department of Transportation determined that three divisions had an integral relationship that needed to be made clear to new employees. As a result of the needs assessment, a two day program was created by a wonderfully creative team of representatives from each of the three divisions. Here are the learning objectives and the activities for the afternoon of the first day. The activities are underlined. Title: Intermodal Interactions Workshop Description: Using interactive exercises, this two day basic orientation session is designed to acquaint the participants with the three modal divisions and how they interface with each other. On the first day, the focus is on what it means to be involved in an intermodal division partnership. On the second day, the focus is on the variety of functions and services provided by the three modal divisions. Day One: Making the Intermodal Connections [afternoon] Learning Objectives: During this session, the participants will:
d. locate key offices at Hill Farms; Lesson Plan/ Methods: Objective Methods
(d) 12:45 Getting a Sense of Hill Farms (45 minutes) [Note: The sites they are asked to locate will be tied to the reasons why they would typically contact or visit that site in the course of performing their work. Sites in each division continue the color coding introduced in the yarn exercise: green for DTID, burgundy for DTD, and yellow for DTIM. Areas of the floor plans that are not relevant to their mission will be labeled and shaded out.] They are given 35 minutes to visit the sites, enter them on the floor plan, and answer the questions. [Note: The questions should include: Where is the Secretary's Office? What is the room number? What is on the plaque outside the Secretary's Office? Where is the lab? What is on the window wall of the DTID Administrator's office? What route do you have to follow to find the DTD Administrator's office? etc.] [Goal: Gain a sense of the layout of the building and locate offices that they may need to visit in the future. Also, ensure that the participants now have "maps" to assist them in locating sites if and when they need to visit Hill Farms in the future.] The teams reconvene to report their answers and to discuss the reasons why they might need to visit that site. Reinforce the idea that the participants now not only have a sense of place, they also can attach faces to names of people at Hill Farms. 1:30 Break (10 minutes)
(e) 1:40 Following the Winding Path (50 minutes) As a game and job aid, the participants are also alerted to their "secret decoder ring," which provides definitions for basic terms and acronyms used by the divisions. [Note: This "decoder ring" will be made of several layered paper discs, with a space for the term and the corresponding definition. It will contain basic terms and acronyms necessary for the game. The participants will be referred to the dot.net as an additional reference source for terms.] [Note: The game board "path" will be the transportation systems development cycle- planning, setting priorities, developing projects, etc. (an expanded and amended version of the "Long and Winding Road," now designed to include all three divisions' responsibilities). The game pieces will be different modes of transportation (a la Monopoly). Reality cards would identify issues, or choices. The intent of this game is to give the participants a real sense of who is involved, when, and what they have to (decide to) do in different situations.} [Goal: Provide real-life examples of the complexity of transportation system decision-making, with the diversity of services, modes, customers, and interests. Also provide instances where intermodal connections and partnering occur.] 2:30 Break (10 minutes)
(e) 2:40 Following the Winding Path (50 minutes) The teams discuss their findings and conclusions, referring to a summary questionnaire. Key points in the cycle are emphasized, with anecdotes of real situations. (20 minutes) 3:30 Break (10 minutes)
(f) 3:40 Creating Mutual Expectations (40 minutes) The groups report out, so that their ideas can be categorized in preparation for discussion with their administrators. (10 minutes) The administrators and their deputies rejoin the session, to hear what the participants have identified as their expectations. (5 minutes) The administrators then discuss what they need in return from their employees in order to fulfill the employees' expectations. (10 minutes) General question and answer and discussion period. (5 minutes) Goal: Establish productive dialogue between management and supervisors regarding respective goals and expectations.]
4:20 Closing Up Shop (10 minutes) 4:30 Adjourn. Tip #115: Employee Orientation When an organization experiences a merger or when divisions within that organization need to intermesh, both seasoned as well as new employees may require an orientation to the new situation. Not only do they need to understand the new interrelationships, they also need to understand the separate functions and services provided by the contributing organizational components. In 1999, the Wisconsin Department of Transportation determined that three divisions had an integral relationship that needed to be made clear to new employees. As a result of the needs assessment, a two day program was created by a wonderfully creative team of representatives from each of the three divisions. Here are the learning objectives and the activities for the morning of the second day. The activities are underlined. Title: Intermodal Interactions Workshop Description: Using interactive exercises, this two day basic orientation session is designed to acquaint the participants with the three modal divisions and how they interface with each other. On the first day, the focus is on what it means to be involved in an intermodal division partnership. On the second day, the focus is on the variety of functions and services provided by the three modal divisions. Day Two: Getting to Know the Modal Divisions Learning Objectives: During this session, the participants will:
Total Length: 6 hours Objective Methods
8:30 Welcome (15 minutes)
(a) 8:45 Recognizing the Variety of Services (30 minutes) Drawing from each "team," make a list of the activities and services provided by each division- using three different flip charts, one for each division. (15 minutes) [Goal: Reinforce what the participants have already learned about the diversity of services provided by each modal division.]
(b) 9:15 Sorting Out the Players: DTD (20 minutes) [Note: These key points would include:
[Goal: Expand the perception of DTD as doing more than highways, by increasing awareness of the scope and diversity of services provided by the four business areas.] 9:35 Break (10 minutes)
(b) 9:45 Sorting Out the Players: DTD (20 minutes) [Goal: Reinforce learning about the services provided by the four DTD business areas.] The participants then highlight with yellow marker the key programs, staff names and phone numbers on the division brochure. (5 minutes) [Goal: Ensure a useful reference source.]
(d) 10:05 Playing on the DTD Team (25 minutes) The teams report out their findings and conclusions, for general discussion. (15 minutes) [Goal: Experience a typical DTD activity that reinforces key concepts regarding the complexity of decision making involved in developing and maintaining a transportation system- as well as the need to be able to compromise rationally in order to achieve objectives.] 10:30 Break (10 minutes)
(b) 10:40 Sorting Out the Players: DTIM (20 minutes) [Goal: Provide a visual metaphor of the difficulty of keeping all of the "balls" in the air, since each funding source has a different scope and time cycle.] Walk the participants through the division brochure, having them highlight with yellow marker the key programs, staff names and phone numbers. (10 minutes) [Goal: Ensure a useful reference source.]
(d) 11:00 Playing on the DTIM Team (45 minutes) [Goal: Reinforce the complexity of the transportation fund, including the 41 different programs covered by the fund and the dynamics involved in slicing up the fund in the budget process. Also, provide increased awareness of other perspectives.] 11:45 Lunch Break (60 minutes) Tip #116: Employee Orientation When an organization experiences a merger or when divisions within that organization need to intermesh, both seasoned as well as new employees may require an orientation to the new situation. Not only do they need to understand the new interrelationships, they also need to understand the separate functions and services provided by the contributing organizational components. In 1999, the Wisconsin Department of Transportation determined that three divisions had an integral relationship that needed to be made clear to new employees. As a result of the needs assessment, a two day program was created by a wonderfully creative team of representatives from each of the three divisions. Here are the learning objectives and the activities for the afternoon of the second day. The activities are underlined. Title: Intermodal Interactions Workshop Description: Using interactive exercises, this two day basic orientation session is designed to acquaint the participants with the three modal divisions and how they interface with each other. On the first day, the focus is on what it means to be involved in an intermodal division partnership. On the second day, the focus is on the variety of functions and services provided by the three modal divisions. Day Two: Getting to Know the Modal Divisions Learning Objectives: During this session, the participants will:
e. "tour" a transportation issue; and Lesson Plan/ Methods: Objective Methods
(b) 12:45 Sorting Out the Players: DTID (15 minutes) [Goal: Check participants' current awareness of DTID functions.] The deputy administrator provides a brief overview of the responsibilities of DTID, to define what infrastructure development means and includes, asking if anyone would like to revise their worksheet on the basis of the overview. Debrief the responses to the worksheet, providing validation and/or correction. (10 minutes) [Goal: Clarify the concept, mission, and functions of DTID, while acknowledging that the division name may contribute to its identity crisis.]
(d) 1:00 Playing on the DTID Team (30 minutes) [Goal: Experience a typical DTID activity that reinforces key concepts.] 1:30 Break (10 minutes)
(c) 1:40 Playing on the DTID Team (20 minutes) The deputy administrator walks the participants through the division brochure, having them highlight with yellow marker the key programs, staff names, and phone numbers. (5 minutes) [Goal: Ensure a useful reference source.]
(e) 2:00 Touring a Transportation Issue (30 minutes) [Goal: Provide a real-life "tour" of a transportation issue that exemplifies aspects of intermodal connections and partnering, and reflects the results of funding (DTIM), planning (DTD), and standard development (DTID) actions and decisions the participants experienced in previous exercises.] 2:30 Break (10 minutes)
(f) 2:40 Finding Intermodal Linkages (30 minutes) Volunteers report out the nature and type of linkages that they have identified for themselves, for general discussion. (20 minutes) [Goal: Personalize the idea that the modal divisions are connected. Also, provide closure to the "yarn exercise" metaphor introduced at the very beginning of the orientation. The participants are now able to specifically identify the "knots" as they relate to what they personally do on their jobs.]
3:10 Closing Up Shop (20 minutes) [Note: This test will involve the same key content as the initial pre-test, however, the questions will be phrased differently or take a slightly different tact on each key concept. The process can be similar to that used for the pre-test- a thumbs up or down response, which will give the trainers an immediate visual assessment of the learning that has occurred.] [Goal: Assess the degree to which the key content has been learned by the participants.] Each participant reports out one new piece of information s/he received as a result of the session. The participants then complete an evaluation sheet for this session. 3:30 Adjourn. Tip #117: Learning Styles A few weeks ago, W. Gene Coburn, who is a wonderful trainer and a very funny man, got frustrated with a group of training participants. He asked them to turn their left hands palm up, take their right middle finger and place it over the vein on their left wrists. Then, with a deadpan expression, he asked them to check, “Are you still alive?” All trainers have experienced that very same frustration, where we have no idea if our learners are “getting it” or even breathing! However, as distressing as that is from our perspective, imagine what it must be like from the learners’ perspective! They are frequently subjected to training methods that do not meet their needs. Many of us are familiar with the idea that, to be effective communicators, we need to package our message differently to meet the communication needs of different personality types. However, some trainers still persist in subjecting their audiences to only one training method, consciously or unconsciously chosen because it is:
Strictly speaking, lecture, otherwise known as a talking head!, satisfies only the auditory learner. Reading materials satisfy only the visual learner. Hands on exercises satisfy only the kinesthetic learner. A reliance on just one training method can alienate 2/3rds of the learners, unless the trainer consciously ensures that all of their needs are met. For example, a small group discussion can be structured so that the participants read some information in their handout materials (making the visual learners happy), discuss their ideas (making the auditory learners happy), and stand up to write their conclusions on a flip chart (making the kinesthetic learners happy). A lecture (favorable to auditory learners) can be enhanced with visual aids (favorable to visual learners) and supplemented with a question and answer session in which participants pop up with the answers (favorable to kinesthetic learners). A role play can easily meet the needs of all three learning styles, in that there are roles to read (visual), communication to be exchanged (auditory), and interaction- either by moving to work in the role play groups or by standing up to conduct the role play (kinesthetic). A trainer does not have to use three different training methods to meet the needs of the three different learning styles. Simply using a method that has enough depth and dimension to engage the three senses will suffice. This is important to keep in mind as we consider models with more than three learning styles! Tip #118: Learning Styles In response to last week’s discussion, Ralph Schwartz sent in the following Learning Styles Assessment for the three basic learning styles: Visual, Auditory and Kinesthetic. It is taken from Accelerated Learning by Colin Rose, which was published in 1987. I really appreciate Ralph’s contribution and want to share it with you this week. To take the assessment, you simply read the word(s) in the left column and circle the description that best expresses how you usually handle each situation.
![]() So, how well did this assessment work for you? I know that I am a very visual learner, which this assessment definitely validated. Tip #119: Learning Styles This perceptual learning styles model makes some important distinctions between the print and visual learners (grouped together under “visual” in the three style model), between the haptic and the kinesthetic learners (grouped together under “kinesthetic” in the three style model. It retains aural but adds an important new element: that of verbalization. Perceptual Learning Styles
Tip #120: Learning Styles In the previous weeks, our discussion has centered around learning styles that are essentially based on the senses of sight, hearing, and touch, This week’s learning styles model introduces a cognitive element, the ability to think, reflect, and generate theories. The two previous models focused on learning input, or how the learners learn. This experiential model introduces an active generative output element. The learner ultimately demonstrates his or her learning by making decisions and solving problems. In David Kolb’s Experiential Learning Model, learning is conceived as a four-stage cycle: immediate concrete experience (CE), which provides a basis for reflective observation (RO), which can be formulated into a theory known as abstract conceptualization (AC), which can be stated through active experimentation (AE), which results in guides for creating new experiences and repetition of the cycle. The effective learner must be:
Further experimentation with the experimental learning model has led to the identification of four dominant learning styles. They are called: the diverger, the assimilator, the converger, and the accommodator. 1. The diverger. The diverger's greatest strength lies in viewing problems from many perspectives. Ideas can be generated in a short time and with a great deal of creative imagination. The diverger's shortcoming, however, is one of avoiding problem-solving situations or taking action unless forced to do so. The diverger relies on concrete experience and reflective observation. S/he learns best through exercises, discussion, guest speakers, and lectures. 2. The assimilator. The assimilator excels at creating theoretical models by taking a few facts and fashioning them into a purposeful theory. Like the diverger, the assimilator is not interested in making practical use of theories, but only in being sure theories are logical and sound. The assimilator tends to think before acting, but may fail to act at all. The assimilator relies on reflective observation and abstract conceptualization. S/he learns best through films, research, and theory building. 3. The converger. The converger is interested in the practical application of ideas to specific problems or situations. This individual seems to be most comfortable in situations where there is a single best way of doing things. The converger's biggest drawback is a rather narrow, single-minded approach. The converger relies on abstract conceptualization and active experimentation. S/he learns best through writing, case studies, and application. 4. The accommodator. The accommodator likes to get things done, carry out plans, take action, and become involved in new experiences. A risk-taker, the accommodator is willing to adapt readily to any situation; theories that do not fit the facts will be thrown out. The accommodator is impatient to act, and tends to act before thinking. The accommodator relies on active experimentation and concrete experience. S/he learns best through role playing, speaking, and simulations. I definitely have an accommodator learning style. What is YOUR learning style? Tip #121: Learning Styles In previous weeks, our discussion centered around learning styles that were essentially based on the senses of sight, hearing, and touch. Last week’s learning styles model introduced a cognitive element, the ability to think, reflect, and generate theories. The first two models focused on learning input, or how the learners learn. Last week’s experiential model introduced an active generative output element. The learner ultimately demonstrates his or her learning by making decisions and solving problems. In this week’s model of multiple intelligences, Howard Garner provides “a means of mapping the broad range of abilities that humans possess by grouping their capabilities into seven comprehensive categories or ‘intelligences.’” [Thomas Armstrong in Multiple Intelligences in the Classroom, 1994, from whom the following descriptions are drawn]. 1. Linguistic Intelligence, or Word Smart: the capacity to use words effectively either orally or in writing. This intelligence includes the ability to manipulate the syntax or structure of language, the sounds of language, the semantics or meanings of language, and the practical uses of language. Some of these uses include rhetoric (using language to convince others to take a specific course of action), mnemonics (using language to remember information), explanation (using language to inform), and metalanguage (using language to talk about itself). 2. Logical-Mathematical Intelligence, or Number or Logic Smart: the capacity to use numbers effectively and to reason well. This intelligence includes sensitivity to logical patterns and relationships, statements, and propositions (if-then, cause-effect), functions, and other related abstractions. The kinds of processes used in the service of logical-mathematical intelligence include: categorization, classification, inference, generalization, calculation, and hypothesis testing. 3. Spatial Intelligence, or Picture Smart: the ability to perceive the visual-spatial world accurately and to perform transformations upon those perceptions. This intelligence involves sensitivity to color, line, shape, form, space, and the relationships that exist between these elements. It includes the capacity to visualize, to graphically represent visual or spatial ideas, and to orient oneself appropriately in a spatial matrix. 4. Bodily-Kinesthetic Intelligence, or Body Smart: expertise in using one’s whole body to express ideas and feelings (e.g., as an actor, a mime, an athlete, or a dancer) and facility in using one’s hands to produce or transform things (e.g., as a craftsperson, sculptor, mechanic, or surgeon). This intelligence includes specific physical skills such as coordination, balance, dexterity, strength,, flexibility, and speed, as well as proprioceptive, tactile, and haptic capacities. 5. Musical Intelligence, or Music Smart: the capacity to perceive (e.g., as a music aficionado), discriminate (e.g., as a music critic), transform (e.g., as a composer), and express (e.g., as a performer) musical forms. This intelligence includes sensitivity to the rhythm, pitch or melody, and timbre or tone color of a musical piece. One can have a figural or “top-down” understanding of music (global, intuitive), a formal or “bottom-up” understanding (analytic, technical), or both. 6. Interpersonal Intelligence, or People Smart: the ability to perceive and make distinctions in the moods, intentions, motivations, and feelings of other people. This can include sensitivity to facial expressions, voice, and gestures; the capacity for discriminating among many different kinds of interpersonal cues; and the ability to respond effectively to those cues in some pragmatic way (e.g., to influence a group of [people to follow a certain line of action). 7. Intrapersonal Intelligence, or Self Smart: self-knowledge and the ability to act adaptively on the basis of that knowledge. This intelligence includes having an accurate picture of oneself (one’s strengths and limitations); awareness of inner moods, intentions, motivations, temperaments, and desires; and the capacity for self-discipline, self-understanding, and self-esteem. It might be helpful if we looked at examples of how these different learners could be taught and then could demonstrate their learning. If we wanted to teach our different learners about inventions, we could have the:
Tip #122: Learning Styles In last week’s discussion of Howard Gardner’s model of multiple intelligences, my source must have predated Gardner’s determination of an eighth intelligence: 8. Naturalistic intelligence—Naturalistic intelligence allows people to recognize and classify species and other aspects of their environment. Students who enjoy studying the world around them—insects, cars, or stamps— display strength in this intelligence. I apologize for the omission. According to J. Diane Jacobs-Connell: Gardner's theory has inspired thousands of teachers to challenge themselves by expanding their instructional approaches and creating lessons that have allowed students to access content through their different intelligence strengths. Daniel Goleman's emotional intelligence theory, which he describes in Emotional Intelligence New York: Bantam Books, 1995, 1997), is also based on findings in neurological research. According to Goleman, the five dimensions of emotional intelligence are self-awareness, self-regulation, motivation, empathy, and social skills. (Jacobs-Connell finds a strong correlation between Gardner's interpersonal and intrapersonal intelligences and Goleman's five emotional dimensions.)
1 Self-awareness--knowing your emotions, recognizing feelings as they occur, and discriminating between them Goleman's brain-based research brought public awareness to the need to focus on the emotional climate in our classrooms. Lessons gleaned from brain-based research demonstrate ways that teachers can help set the best emotional climate for students to learn. According to the site: www.funderstanding.com: Research in brain-based learning suggests that emotional health is fundamental to effective learning. According to a report from the National Center for Clinical Infant Programs, the most critical element for a student's success in school is an understanding of how to learn. (Emotional Intelligence, p. 193.) The key ingredients for this understanding are:
Researchers have concluded that people who manage their own feelings well and deal effectively with others are more likely to live contented lives. Plus, happy people are more apt to retain information and do so more effectively than dissatisfied people. I thought it might be useful to see how a lesson can be taught that incorporates emotional intelligence. The following lesson plan was designed by J. Diane Jacobs-Connell, who describes it below (I have added the bold emphasis):
Literary Fridays
A Sample Lesson: The Bee Tree Here, now, are some components of the lesson, along with the brain-based theories upon which each component was based.
From a neurological standpoint, the Grabber taps into the verbal-linguistic and intrapersonal intelligence areas and the emotional intelligence dimension of self-awareness and motivation.
This activity draws upon the verbal-linguistic and visual-spatial intelligence areas and the emotional intelligence dimension of empathy.
This activity taps into the intrapersonal, existential, logical-mathematical, and verbal-linguistic intelligence areas and the self-awareness and empathy dimensions of emotional intelligence.
This component taps into the verbal-linguistic, visual-spatial, naturalistic, and bodily-kinesthetic intelligences and the motivation and social skills dimensions of emotional intelligence.
This activity addresses the musical-rhythmic, bodily-kinesthetic, intrapersonal, and verbal-linguistic intelligences and the emotional intelligence dimensions of managing moods and empathy.
This culminating project taps into the visual-spatial, musical-rhythmic, verbal-linguistic, and naturalist intelligences and the social skills and self-regulation dimensions of emotional intelligence.
The Call for Creative Brain-Based Teaching It's important for teachers to learn how to tap into and nurture the intelligence strengths of all their students. Teachers must be guided by -- yet willing to go beyond -- their neurological strengths and use what they know about learning to create deep, multifaceted lessons. Teachers must also use what they know about emotional intelligence to provide a safe yet stimulating learning environment for all students. This is the type of teacher I've become. Why not join me on this brain-based learning journey? [J. Diane Jacobs-Connell] An interesting side note: I was not aware that Daniel Goleman did not originate the concept of emotional intelligence until I did my research for this discussion. According to Wikipedia, the term "emotional intelligence" appears to have originated with Wayne Payne (1985) and the leading research on the concept originated with Peter Salovey and John Mayer starting in the late 1980s. In 1990, their seminal paper defined the concept as an emotional intelligence, or the "ability to monitor one's own others' emotions, to discriminate among them, and to use the information to guide one's thinking and actions".
They developed a hierarchical, cognitive model of emotional intelligence that includes four components, listed from the simplest to the most complex: Tip #123: Mastery Teaching Model I was first introduced to the UCLA Mastery Teaching Model by my mother, Merle Levine, who was then the Principal of Northport High School, which was (and may still be) the largest high school on Long Island, New York. The Wisconsin Department of Public Instruction had contacted me about creating performance standards for teachers of the hearing and visually impaired. Since I was not conversant with Braille or the American Sign Language, I had no idea how I would determine whether learning was occurring in their classes. My mother suggested the UCLA Mastery Teaching Model, in which Dr. Madeline Hunter identified the decisions that all teachers (and trainers) continually make before, during, and after interaction with the learner- to increase the probability that learning will occur. Luckily for me, Dr. Hunter was traveling to Milwaukee, Wisconsin to teach summer weekend postgraduate classes at Cardinal Stritch College. Because of that association, Cardinal Stritch College was working with local high schools to incorporate the Mastery Teaching Model into their curricula. In June of 1987, I took Increasing Teacher Effectiveness with Dr. Hunter. The next year, I took Advanced Teacher Effectiveness. And in 1990, I took the last class I believe she taught in Milwaukee, Escalating Effectiveness in Staff Development. Dr. Hunter died in 1994. Teacher training models have come and gone since then, but I have found that the Mastery Teaching Model continues to offer clear and useful concepts and techniques for any person engaged in teaching or training children or adults. Apparently, there has been a resurgence of interest in the model, because Corwin Press had to recently reprint the Madeline Hunter Collection Series that includes most of her printed works. As they state on their website, :www.corwinpress.com. Madeline Hunter is one the most respected and widely known advocates of professional development for teachers. Her practical and skillfully presented books, now republished for a new generation by Corwin Press, detail the essentials of effective teaching. Issues addressed include: what influences a student's motivation to learn and rate of learning, how students remember what they have learned, and how to achieve student discipline and student self-discipline. Books within the collection include:
All of the books designated with an asterisk (*) were originally published by TIP Publications in the 1960’s. Her “Theory into Practice” books were what Dr. Hunter called “programmed” books, because she would provide specific content, then check for the reader’s comprehension by asking a question and providing a choice of answers. You then turned to the page that discussed the answer you had chosen, either for information that offered validation of your answer and the page number for the next new learning - or an explanation as to why your answer was incorrect and a suggestion for you to return to the question page and select a different answer. There is one much later book, Enhancing Teaching, which was published the year Dr. Hunter died, 1994. This book is significant because, in Dr. Hunter’s words, “[it] was written in response to requests for gathering together, in a single book many journal articles, as well as presentations and workshop handouts that teachers have found useful.” It is also significant because it addresses her detractors: “The first section of this book, A Model of Teaching, describes the genesis of a decision-making model of teaching, based on principles derived from my study of psychology and related fields, plus observation and analysis of outstanding teachers. It is a model, not the model. It simply provides an organizational basis for planning, implementing, analyzing, and describing teaching. It is concerned with the ‘anatomy and physiology’ of teaching in terms of the daily decisions every teacher makes consciously, intuitively, or by default. This section also addresses the misinformation that often accompanies discussion or evaluation of the decision-making model.” We will discuss that “misinformation” in later Tips, but they revolve around a misapplication of the model. So, to get back to the original reason why I began my studies with Dr. Hunter. What I learned was that the effectiveness of a training program depends upon the decisions that the teachers or trainers make about what will be taught and how it will be taught. It is possible to determine the probability of learning in the classroom by evaluating those decisions using the Mastery Teaching Model developed by Dr. Madeline Hunter at UCLA. This is true even if you are not technically proficient in the content or do not speak the language. Although I never had the opportunity to apply what I learned from Dr. Hunter to audit the teachers of the hearing and visually impaired, over the years I have often used it to audit technical courses in transportation, asbestos abatement, and lead abatement, etc., to determine their effectiveness. I have also audited masters degree courses at the University of Osijek in Croatia, despite my inability to speak Croat! (That is a story in itself!) Tip #124: MTM: Three Training Decisions The Mastery Teaching Model was developed by Dr. Madeline Hunter of the University of California at Los Angeles to increase teaching effectiveness. More than ad hoc charismatic oratory, she defined teaching as "a constant stream of professional decisions made before, during and after interaction with the learner; decisions which, when implemented, increase the probability of learning." According to Dr. Hunter, regardless of who or what is being taught, all teaching decisions fall into three categories:
Tip #125: MTM: The Elements of Instructional Design There are eight elements that should be considered in the design of an effective lesson. These elements constitute building blocks that, if placed in the appropriate sequence for the content to be taught, can ensure that the learners have the basic knowledge they need so that they can be successful.
For some reason, some early adopters of the Mastery Teaching Model did not realize this. They insisted that all eight elements must be used and should be sequenced in a specific order. This misguided practice generated a perception that the model was rigid and stifled creativity- when in fact the essence of the Mastery Teaching Model is teacher flexibility in decision-making to meet the learner’s needs. This misunderstanding distressed Madeline Hunter. In her last book, Enhancing Teaching, she devoted two early chapters to responding to her detractors. She began: “What’s wrong with Madeline Hunter? More specifically, what’s wrong with a model of teaching that increases the probability of learning by (1) identifying professional decisions teachers must make; (2) supplying research-based cause-effect relationships to support those decisions; and (3) encouraging the teacher to use data emerging from the student and the situation to augment or correct those decisions? Doesn’t knowing cause and most probable effect free teachers for creative, successful teaching? I always thought so. In fact, I still do...” “...Our clinical theory of instruction is based on the premise that the teacher is a decision maker. Because no one can tell the teacher what to do, our purpose is to tell teachers what to consider before deciding what to do and, as a result, to base teaching decisions on sound theory rather than on folklore and fantasy.”
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